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群仙祝寿图 plants

时间：12:33:17作者：admin分类：娱乐浏览：18评论：0

《群仙祝寿图》是任伯年在构思、构图方面高水平的代表作品。

构图上，人物被分成几个大组，用疏密对比、错落有致的手法，把单调的人物活动相互联系起来，顾盼照应，构成一幅规模宏大的“祝寿图”。

画中人物、屋宇、草木、云水，刻意描绘，一笔不苟。

通幅构思精密，笔墨精练，设色鲜艳，充分渲染了华丽富贵、群仙毕至的祝寿场面。

尽管《群仙祝寿图》描绘的是传说中的神仙故事，但一举一动都反映出人的性格和情感。

画面场景幽深、风光旖旎。

与其说是一个自由逍遥享乐的神仙世界，不如说是人们所渴望追求的幸福生活和理想境界。

画作主题是农历三月初三，恰逢西王母寿辰，天宫设蟠桃会，各路神仙前往瑶台祝寿赴宴。

画家通过描绘空中、海上、陆地三路神仙赴宴时的情景，表现了王母盛筵的巨大场面。

表现的是西王母庆寿蟠桃会的隆重富丽场面，画中包括西王母、小姐、宫女、群仙共46个人物，在形象塑造上画得平易近人，可亲可爱，更是透露着任伯年作为民间画家出身而自然而然融进了平民的情感。

The painting of the group of immortals celebrating birthday is Ren Bonian's representative work in terms of conception and composition. In the composition, the characters are divided into several groups, and the monotonous activities of the characters are connected with each other by means of dense contrast and orderly arrangement, forming a large-scale "birthday celebration picture". The characters, buildings, , clouds and water in the painting are painstakingly depicted. The design of the picture is precise, the ink is concise, and the colors are bright, which fully exaggerates the birthday celebration scene of luxuriant wealth and the end of the group of immortals. Although the painting of the group of immortals celebrating birthday depicts the fairy stories in the legend, every move reflects the personality and emotion of people. The scene is deep and beautiful. It is not so much a free and happy fairyland as a happy life and ideal realm that people desire to pursue.

The theme of the painting is the third day of the third month of the lunar calendar, which coincides with the birthday of the queen mother of the West. By depicting the scenes of the three immortals in the air, sea and land, the painter showed the great scene of the Queen Mother's feast.

It shows the grand and magnificent scene of Queen Mother of the West's birthday celebration. The painting includes 46 characters including Queen Mother of the west, miss, maiden, and immortals. In terms of image creation, the painting is approachable, amiable and lovely. It also reveals Ren Bonian's natural integration into the common people's feelings as a folk painter.

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